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What Nikola Telsa Know About 0ur Universe!!!

Nikola Tesla states  — ‘If you want to find the secrets of the universe, think in terms          of energy, frequency and vibration.’ http://www.one-mind-one-energy.com/Law-of-vibration.html

We live in an ocean of motion

Our thoughts are on a certain vibrational frequency and hence is part of the vibrating universe. The Law of Attraction, which is based on The Law of Vibration, states that we attract what we are sending out. Hence positive energies attract positive energies and negative energies attract negative energies.

Our thoughts are cosmic waves of energy that penetrate all time and space. Thought is the most potent vibration – so this means you can attract to you what you want and wish for.

Learn about the Power of Thought and how they make ripples in the sea of energy we call the universe, consciousness, the formula for success, universal Laws and more by getting the Make A Ripple Make A Difference e-book
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S0 Why doesn’t the Law of Attraction work f0r some people?

  Magnetic Force It does work as long as you send out the right vibrations.   The Law of Vibration never fails. Everything vibrates. Also Experts in the Law of Attraction. say that you must do more than just make a wish.Your emotions and y0ur feelings must also be aligned with what you wish for.

It is not enough to merely ask for it, thereby,  if you do not truly have emotions and feelings that are in harmony with that wish. You need to “fall in love” with what you     want in order to be in the correct vibrational state.

If you ask for more money through prayer, meditation or just by wanting it – it will not help you if your emotions and feelings are programmed to think that money does not grow on trees, or that you do not deserve to be rich, or that you cannot handle being rich etc.

If you grew up in a family where your father or mother (or both) always said: “do you  think I am made out of money – and that we can’t afford that” – then most likely you are programmed to believe this to be true.

Your subconscious mind has a different belief system than what you are wishing for. Hence your inner feelings and emotions are not aligned with your wish. These beliefs are thousands of times stronger than desires and wishes. So if you desire something like a new house or getting a new job it will not happen if your beliefs are “I can’t”. The beliefs win every time.

We all have built a blueprint in our mind (subconscious) of what we regard as true and what we believe in. This blueprint has been sculpted for years through your childhood by your father and mother, by your brother and sisters, by your friends, by what you read in the newspapers, by what you see on TV, by what you learn in school and so on.

If suddenly new information is presented to this blueprint it will not automatically be added.  You can ask for more money of financial wealth everyday for several years and nothing will ever manifest as the Law of Attraction preaches because your subconscious    is not aligned with that desire.  There is the reason why so many people who attempt to change their lives using the Law of Attraction fail.

In order to change your belief system you can start applying affirmations.

“Reprogram” your subconscious mind with a new belief system. Believe that anything is possible, believe that you are rich, that you deserve to be rich, that you are happy, that you are healthy and so on. Make a list of positive affirmations and read them to yourself every day. Say to yourself those things you want to be or believe in.

The New Science:   We are made of Energy, not Matter 🙂

             http://www.lifetrainings.com/We-are-made-of-Energy-not-Matter.html

We (YouAreCreators) created this channel to share one of the greatest secrets of               the universe, and the secret is, we literally create our reality! (Quantum Physics now proves this) We are all governed by a set of Universal Laws,  these laws were created         by GOD, to aid us in creating the life we desire.

One of these laws is known as the “Law Of Attraction”, or the law of “Reaping and Sowing”. This law simply states, whatever you give out in Thought, Word, Feeling,           and Action is returned to us. Whether the return is negative, or positive, failure or   success, is all up to what you give out.  https://www.youtube.com/watch?v=0XZG2dWxsT8

When Astrid Walschot-Stapp was eight years old.

She had such bad knee pain that she told her mother, “It’s almost like thousands of little creatures are eating me from the inside out.” Prior to this, she had a near-death experience when she had a seizure that was so bad it caused her tongue to retract into the back of her throat. What she didn’t know then, and what she wouldn’t find out until many years later, was that she had Lyme disease. During the seizure she lost consciousness and recalls, “I remember being in this beautiful white light…there were strings and when I would touch them a tear would fall, and I always wondered about it.”
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 In a string of serendipitous events, at the age of eight and in the midst of extremely bad joint and bone pain that were written off as growing pains, Astrid’s Kindermusik teacher insisted that she play the harp. The instructor even went so far as to make up a story about how they needed a child to practice harp lessons on just so Astrid’s mother would say yes. When Astrid began playing the harp, memories of that white light during her near-death experience came to mind. She realized that the images of the strings that she saw during her seizure were a sign of her life’s purpose to make people happy through music. Not only would she go on to do that, but Astrid would later come to discover that playing the harp was her strongest defense against Lyme disease.
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Throughout her life, Astrid always had health problems that were written off or swept under the rug. Her music, however, always kept her fighting through severe symptoms. Growing up in The Netherlands, Astrid played the harp throughout her childhood, but at the age of 18 she developed such bad knee and wrist pain that her passion became painful. At the time, she was under a lot of stress, and her doctor in Holland thought that her pain was just a side effect of personal problems. Though he didn’t understand the severity of her condition, or the fact that she had Lyme, he did connect with Astrid on a musical level, because he was a musician himself. He instructed her to bring her harp to his hospital and leave it there. That way, when she came in for appointments, he could teach her how to play again—almost like physical therapy. Astrid says, “This man helped me by removing me from the stress and teaching me a new technique with relaxation. He taught me to play so well, and I was so aware of my body that my body was able to get over the Lyme.” It turned out that the soothing effect of playing the harp allowed Astrid to keep overcoming Lyme symptoms time and again throughout her life. In other words, playing the harp became a sort of musical medicine.    https://www.youtube.com/watch?v=kLUiGWZxGcU 
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Interactive installation “Eunoia II” by Lisa Park | Dafta's VIEW
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Lisa Park in piece “Eunoia.” The headpiece is not conveying anything to her directly.
It’s reading her. In her recent bodies of works, Lisa has used biofeedback devices as a
tool to investigate her inner states and emotional states.
These performances explored the possibilities of self-monitoring her physical
and psychological states to create an audio-visualization of herself.
In her first interactive artwork, Park encased her head in a plastic orb filled with live (terrifying) butterflies, then modulated the pitch of a recorded speed depending on the speed of her heart rate.
She later flipped Man Ray’s Le Violin d’Ingres by creating a bow that responds to human touch, then letting herself be played like the violin. She first donned an EEG in 2013 while doing research for her thesis project and first virally popular artwork, Eunoia.
As far as Park is concerned, she’s exploring uncharted territory. “When people think of new media art, they instantly think of screen-based work,” she observes. “But in New York, when you say ‘interactive art,’ there’s a lot of mediums to consider.”

https://www.youtube.com/watch?v=bTOQZNkQukg

So you show up at an art gallery one day, not really sure what to expect. You pass through the rooms. White walls. Canvasses. Statues. Some of it grabs you. A lot of it doesn’t. Then you enter another room and, besides some more wall hangings, you see five bowls of water sitting on the floor.

Each bowl sits on some sort of electronic device. Wires run out from beneath them.          As you’re trying to make sense of all this, a young woman in a full-length smock walks     out from behind the bowls   and moves into their center.  She’s barefoot.  What strikes        you most,  though,  is that she’s wearing a strange headpiece,  a cross between Google    Glass and recording studio headphones, yet no part of it reaches her ears or eyes.

She sits on her heels in the center of the five bowls and looks at them. Strange sounds rumble out from beneath the bowls, and the water begins to respond to the sounds. At first, it simply quivers. As you watch, however, a deeper sound makes the water in one bowl or another hop up, even splash. The young woman isn’t saying anything.
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She alternates between looking at one of the bowls in front of her and closing her eyes. She just sits there as the sounds change. The water alternates between still and rippling, and the sound moves between a low drone and sharp charges.
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The young woman is Lisa Park. The performance is called “Eunoia.” The headpiece            is not conveying anything to her directly.  Instead , it’s reading her.  It’s a NeuroSky MindWave transmitting data about her brainwaves via Bluetooth back to a computer, where a program takes the brainwave data and translates it into sounds played on the speakers set beneath the dishes of water.

For Park, the goal of the piece is to exercise control over her own mind, to make her    mind so still and so calm that there’s nothing for the EEG sensor to read. Ideally, the  water is still. The speakers are silent. She has attained total self-control.

It’s just the opposite of another recent art piece called “The Emotional Arcade.”                   In “The Arcade,”  artists Brent Hoff and Alexander Reben use different devices to     measure emotional states  and encourage people to compete  to see who can feel it              the most.  So,  for example,  similar EEG technology is used to fill “Rage Balloons,”         where participants compete to make themselves as angry as possible. What viewers          see are balloons blowing up as the EEG readings inform how much air gets pumped          in. The person to get angriest the fastest “wins.”

 Park’s work heads in the opposite direction, using technology to aid introspection—not    to facilitate chaotic emotions. She says that stillness “has been an ongoing theme” in her work, “something I am always interested in and trying to find.  Sometimes I feel like my emotion is too much. It is all around me.”  One of the ironies of “Eunoia,” she tells us, is that the audience likes it when the water jumps and splashes.  When she struggles and  fails to reach the goal of the piece—total stillness—that’s when viewers have something      to see.

The piece demonstrates how, in your own mind, calm is the heaviest lift. It may be more    exciting to visualize frenetic thought, but an absence of thought takes more work to attain. Like the disconnect between viewers’ interest and Park’s goals,  language creates an irony between the mind and body.  It’s harder for the body to exert itself and easier to rest,  but the opposite is true for the mind.  Yet both are described  in the same terms:  “rest”  and “calm” vs. “exertion” and “activity.”

“Eunoia” is the third in a trilogy of technology-driven performances expressing            Park’s feelings about herself and the context of her upbringing.  It’s interesting to               see the narrative these three pieces create—and how effectively they evoke a future             in which we are all awash in our own data.

In the first piece, “Obsession Is a Sad Passion,” Park shuts her head into a large bubble   full of butterflies. She doesn’t know why, but Park has always been afraid of butterflies. Locked inside this bubble with butterflies flitting about her face,  trying to escape, she stands there, trapped with her fears. Meanwhile, a recording is played: a short story by Patrick Suskind about a young artist driven to suicide by the expectations of the people around her.   http://www.thelisapark.com/obsession-is-sad-passion/  https://vimeo.com/61442808

The recording is governed by a heart rate monitor attached to Park. If she lets her            fear of the butterflies increase her heart rate, the sound of the recording gets lower         and slows down.  If she’s calm, it remains normal. In this piece,  Park is victimized              by her own work and must try to master the fears to which she has exposed herself.

 The second piece in this trilogy of self-control and anxiety, “Le Violon d’Lisa,” is the           most narrative. In it, she has modified a cello bow so that it creates sound when it comes in contact with skin that has a very small amount of electrical current running through it.
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The piece begins with her body being unveiled and a male performer beginning to play music on her exposed back after putting her head into his shoulder, much as one would    an actual cello. Park’s body is played in that way for a while, until she begins to act like a living person and eventually plays herself. She transforms from an object into a human with agency.  http://www.thelisapark.com/le-violon-dlisa/     https://vimeo.com/58863266        https://www.youtube.com/watch?v=09fiSgoF-Y0
 

With Eunoia, she closes the loop. She doesn’t just have agency—she exhibits control.       She has opted for stillness. She’s choosing to seek her own goals, not what her audience wants from her performance.  The audience might want to see drama: water jumping      and shaking and exploding, as if powered by a sort of telekinesis. However, that’s not what      she pursues.   https://www.youtube.com/watch?v=6ywzE6vsytw 

Eunoia II was the follow up: https://www.youtube.com/watch?v=ZXMXqULrEWg 

That said, Park explains that it’s not so simple just to ignore the audience. She spent     three months practicing with the EEG sensor, the speakers, and the water.  By the end,   she was able to create stillness in the water.  “When I was by myself,  it was easier,” she said. During performances, it gets much harder. Having other people around makes her nervous. She responds to their presence.  She can get there,  but it takes her longer and    she can’t hold it.

She’s performed “Eunoia” three times: first at the spring 2013 show for NYU’s Interactive Telecommunications Program,  then at the digital arts space  319 Scholes  in  April,  and finally at “Art from the Heart 2013”  at a Gowanus Loft.  “If I do this again,”   she told us,     “I think the ideal would be to do it for five or six hours. There I would reach a point where I am in the zone.”

These works, she told me, initially explored the limits placed on women with her upbringing. Now, however, she says, “I realized last year that it is myself who is putting those limits.” Park is not the only artist who has found that using technology to augment introspection helps yield insights.

When I met Brent Hoff, one of the architects behind the “Rage Balloons,” he told me several similar stories. In one, a young woman said she would definitely win the balloon contest because she was so angry at an ex-boyfriend. Once she was strapped in, though, she couldn’t muster even the faintest inflation on her balloon. Afterward, she told Hoff that she’d realized she wasn’t angry with him. She just thought she was.

It won’t be long before more people—not just artists—will be able to create their own methods of transmuting brainwaves  and emotions into real world manifestations. In    fact, 2 engineers have a Kickstarter for the first completely open-source EEG platform, allowing users to get pure data and feed it back out into anything they want, any way    they want.

How long before we start to see more pedestrian applications of this data? For example, managers could use EEG sensors to tell them which of their employees really stay focused throughout the day and which ones let their minds endlessly wander.   It’s also not quite machine-assisted telepathy, but it’s getting there.

Lisa Park may continue to ride the cutting edge of this technology. She has already begun exploring other ways to take readings of her own emotions and physically manifest them. For Park, however, the technology is only a tool, one that facilitates a new level of introspection, yielding personal and artistic growth.

Heartmonic (heart+harmonic) is an interactive performance piece that uses the bodies of participants as instruments, turning their heartbeats into a symphonic ensemble in real time.   https://www.youtube.com/watch?v=Bp2nZitK5e8

What if people’s heart rhythms create music based on their interaction with other people?

Two groups of participants will be a part of this performance: eight dancers, or eight individuals. Heart rate sensors are connected to each of the eight participants, and their heart rhythms are converted to sound.

Each individual is assigned the sound of a different instrument—cello, piano, violin, marimba, percussion, flute, clarinet, or bassoon—which is controlled by their heartbeat. The artist, who acts as a conductor, will guide the participants in both physical and emotional activities designed to provoke their feelings. These activities include choreographed dance movements, holding hands, hugging, tickling, and kissing.

Resting heartbeats will be associated with a slower tempo, and elevated heartbeats correspond to more dynamic sounds, giving feedback to the participants about their      state of body and mind.

 We Are All Creators of This Reality!

Listen to Bruce Lipton drop some truth bombs about the power of our minds to control our health and the reality we experience.
We have forgotten the divinity that is inside all of us. We are able of achieving miracles but our educational system teaches that matter is the highest there is, but we know better know don’t we? Everything is energy, every emotion or situation is purely energy, we don’t have senses to sense emotions, but what we do sense is energy. Ancient civilizations were very well aware of this, and they were master in harnessing and directing energy to they’re will. We must reclaim this knowledge.
 We are not the victims of this reality, we are the creators of it. We must remember that nature’s natural state is abundance! When something is lacking in the natural world the eco-system will be out of balance and will not thrive but try to survive. This is humanity right now, we are not really living we are merely surviving. Regain your ancient power and be in charge of your experience here on the physical plane.   https://www.youtube.com/watch?v=7wlaViS9EsQ      https://www.youtube.com/watch?v=oqjpTsUuNDY&t=2420s
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This talk was given at a local TEDx event, produced independently of the TED Conferences. Just because water covers 70% of the earth’s surface and composes the majority of our bodies doesn’t mean we know everything about it. Marcia Barbosa talks about the many anomalies of water.   https://www.youtube.com/watch?v=-OLFwkfPxCg
Being humans are Water: is of major importance to all living things; in some organisms, up to 90% of their body weight comes from water. Up to 60% of the human adult body is water. According to H.H. Mitchell, Journal of Biological Chemistry 158, the brain and heart are composed of 73% water, and the lungs are about 83% water.
Water burns? Water has a memory? Water can be effected by cell phones? It seems that there is much more to know about water than what we are taught about in science class at school. In this video you will learn about how water is effected by electricity and microwaves and that the water will carry that information and pass it along to other water. You will learn about an Austrian inventor by the name of John Grander who invented a way to “revitalize” dead water.

The water in you

Think of what you need to survive, really just survive. Food? Water? Air? Facebook? Naturally, I’m going to concentrate on water here. Water is of major importance to all living things;  in some organisms,  up to 90% of their body weight comes from water.         Up to 60% of the human adult body is water.

According to H.H. Mitchell, Journal of Biological Chemistry 158, the brain and heart are composed of 73% water, and the lungs are about 83% water. The skin contains 64% water, muscles and kidneys are 79%, and even the bones are watery: 31%.

Each day humans must consume a certain amount of water to survive. Of course, this varies according to age and gender, and also by where someone lives. Generally, an adult male needs about 3 liters per day …. while an adult female needs about 2.2 liters per day. Some of this water is gotten in food.

Water serves a number of essential functions to keep us all going:

  • A vital nutrient to the life of every cell, acts first as a building material.
  • It regulates our internal body temperature by sweating and respiration
  • The carbohydrates and proteins that our bodies use as food are metabolized                and transported by water in the bloodstream;
  • It assists in flushing waste mainly through urination
  • acts as a shock absorber for brain, spinal cord, and fetus
  • forms saliva
  • lubricates joints

According to Dr. Jeffrey Utz, Neuroscience, pediatrics, Allegheny University, different people have different percentages of their bodies made up of water. Babies have the most, being born at about 78%. By one year of age, that amount drops to about 65%. In adult men, about 60% of their bodies are water. However, fat tissue does not have as much water as lean tissue. In adult women, fat makes up more of the body than men, so they have about 55% of their bodies made of water. Thus:

  • Babies and kids have more water (as a percentage) than adults.
  • Women have less water than men (as a percentage).
  • People with more fatty tissue have less water than people with less fatty tissue              (as a percentage).

There just wouldn’t be any you, me, or Fido the dog without the existence of an ample liquid water supply on Earth.  The unique qualities  and properties of water  are what make it so important and basic to life. The cells in our bodies are full of water.

The excellent ability of water to dissolve so many substances allows our cells to use valuable nutrients, minerals, and chemicals in biological processes.

Water’s “stickiness” (from surface tension) plays a part in our body’s ability to transport these materials all through ourselves. The carbohydrates and proteins that our bodies use as food are metabolized and transported by water in the bloodstream. No less important is the ability of water to transport waste material out of our bodies.

Water ~ is it just a liquid or much more?

Many researchers are convinced  water is capable of ‘Memory’ by storing information     and retrieving it. The possible applications are innumerable: limitless retention and storage capacity and the key to discovering the origins of life on our planet. Research      into water is just beginning. https://www.youtube.com/watch?v=EIOx7i7MkY8

Bottomline: What Nikola Telsa know about our universe ?

Preview Nikola Tesla Interview Hidden For 116 Years – Incredible

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